Last month, David Zaslav, CEO of Warner Bros. Discovery, during the company’s media earnings call for the second quarter of 2022, said that there was a 10-year plan for DC Films and that part of that plan was for the company to find its own version of Kevin Feige that helped DC Films reverse the progress Marvel Studios has made with the Marvel Cinematic Universe. Very successful. Since then, however, the search for that number has been less successful thus far, with Todd Phillips reportedly not interested, and negotiations with Dan Lin also reportedly unsuccessful. Now, a new report from The Hollywood Reporter It is suggested that Warner Bros. Discovery may have much bigger problems preventing her from finding a Feige-like character, specifically the company’s heavy debt burden as well as uncertainty about the studio’s future.
According to the report, Warner Bros. Discovery continues to “wrestle with a heavy debt load and skeptical investors.” There have also been some concerns raised about Zaslav’s driving style, with one source stating that Zaslav “doesn’t know what he doesn’t know”.
“Zaslav does not know what he does not know,” the source said in the report. “That’s scary. And you’ll always be compared to Marvel. It’s unfair. By the time they are judged, it has worked. It’s just the opposite in Warner. It’s tough all over. Who wants to f-ck that job?”
The report also notes how much chaos DC properties are in at Warner Bros., a discovery with several filmmakers each taking on projects and characters in a way that is far from uniform, something quite at odds with the way Disney’s Marvel universe operates. There are also concerns that the role responsible for DC Films may not continue as some are already anticipating the merger between Warner Bros. Discovery and NBC Universal on the horizon early April 2024.
For now, at least, it looks like Michael De Luca and Pam Abdi will “end up playing the thing by default” when it comes to DC Films, which may not necessarily be a bad thing. The report notes that an agent who has work in the studio sees the pair as “friends of talent, decisive, and a huge improvement over when the studio was under the supervision of AT&T and Jason Keeler.”
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